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刘圆圆

船正驶入岛屿

开幕：7月31日周六下午六时 

展期：7月31日至9月11日

周二至周六 13:30 - 18:00

Liu Yuanyuan

Boat is sailing into Island

Opening: 07/31 Saturday at 18:00 

Duration: 07/31 - 09/11

Tuesday to Saturday 13:30 - 18:00

中国欧洲艺术中心

Chinese European Art Center

www.ceac99.org 

自然的交响曲No.3, 影像, Nature Symphony No.3, video, 2021

自然的交响曲No.3, 影像, Nature Symphony No.3, video, 2020

刘圆圆的创作实践源自觉察真实自我以及探索自由心灵的双重诉求，并以此构建了一个自洽的创作体系——“瓶子”。它包含了过渡的抽象、解构-建构-重构、几何结构和影子地带等概念。无意义是瓶子的核心思想，可意为空间、空隙和空无。艺术家在瓶子的意义上建构想象的共同体——瓶子语言。她运用瓶子语言来创作作品，以此建构出瓶子世界。

“这个世界是没有任何意义的真正的抽象，

因为脱离了意义才能抵达自由之境。”

瓶子语言, 活字印刷, 卡纸, KT板, Bottle Language, Movable-type Printing, Paperboard, KT Board, 17.7*22.3cm, 2019

这次展览我从古典音乐中获取灵感，以节奏作为主体结构，运用装置、影像、绘画和摄影谱写“自然的交响曲”。它由四个乐章组成，每部分乐章再由多个序列构成，每个序列里充满一个个个别事件。同时我运用此创作逻辑构建了图形式的瓶子语言，每个图形犹如一个音列，由此达到用低限的素材诠释复杂的精神性感受的目的。展览呈现了感知的过程，将深处冰岛自然景观中的各种感受组织起来，并谱写成视觉化的乐曲。它是关于自然无目的的、无意义的存在结构。或许这就是真正自由的生命形态，在心灵摆脱记忆，搁置思想，脱离自我意识的制约之后？

自然的交响曲No.2, 油画, Nature Symphony No.2, 

Oil Painting, 60cm*40cm, 2021

【人类生命的宇宙性意义阙如】

2019年夏季，我来到冰岛，开始了为期三个月的驻地创作。长久地置身于广袤的自然中，我切实地感受到人类生命的渺小。它不在尺度，而在限度。山川、岩石和苔藓，在我死后，它们依然存在；而我将永远地被抹除，我的存在不过是宇宙时空中一次小小波动。赋予生命意义的是我们自己，这种意义也只是在世间的角度上有意义；从宇宙角度来看，我们的生命没有意义。追求意义是在追求超越“个体生命的限度”。我们若不是有限的存在者，就不会生出对意义的追求。

“人生的悖论正在于，

尽管你试图有意义地 '是' 点什么，

可到头来，你不过是存在罢了。”

自然的交响曲No.1, 铅笔画, Nature Symphony No.1, 

Pencil Drawing, 89cm*68cm, 2021

清晨，太阳从乌黑的云朵中穿透而出，碰触到白雪罩顶的山峰，抚摸过沟壑纵横的山谷，最终倾洒这大地。我聆听着自然演奏的交响乐，光、山涧、树木、风、鸟鸣全在其中。自我意识消失了，心灵进入了那不被记忆、思想染指的寂静之中。这是处在两种记忆之间的空隙，当此空隙可以维持下去时，便产生了一种不再是记忆的新状态。我如同岩石一般，只是宇宙中纯粹的存在，体验到了真正的自由。

自然的交响曲No.4, 铅笔画, Nature Symphony No.4, 

Pencil Drawing, 42cm*88cm, 2021

Liuyuanyuan's artistic practice stems from the dual pursuits of cognizing the true self and exploring a free mind, and during this process, she has been building a self-consistent creation system -- the "Bottle" , and it contains concepts such as transitional abstraction, deconstruction-construction-reconstruction, geometric structure, and shadow zone. Meaningless is the core concept of the "Bottle", which means space, interspace, and nothing. At the same time, she created the Bottle Language, which is the imagined community in the sense of the Bottle. She uses the Bottle Language to create works to construct the Bottle World.

“This world is the real abstraction without any meanings, because the free-land

only can be reached without meanings.”

观众运用瓶子语言创作的作品, 冰岛

works created by the audiences using the bottles language, Skaftfell Art Center, Iceland, 2019

In this exhibition, I get inspiration from classical music, takes rhythm as structure of the subject, and use installation, image, painting and photography to compose "Nature Symphony."  It consists of four movements, each part of which is composed of multiple sequences, and each sequence is filled with individual events. At the same time, I used this creative logic to construct a graphic Bottle Language, each graphic is like a sequence of sounds, so as to achieve the purpose of interpreting complex spiritual feelings with low-limit materials. The exhibition presents the process of perception, organizing the various sensations in the deep Icelandic natural landscape and composing them into visual music. It is about nature's purposeless, meaningless structure of existence. Perhaps this is a truly free life form, after the mind gets rid of memory, puts aside thoughts, and escapes the constraints of self-consciousness?

自然的交响曲No.3, 影像, Nature Symphony No.3, video, 2020

【Cosmic Meaninglessness of Human Life】

In the summer of 2019, I came to Iceland and started a three-month residency project. Being in the vast nature for a long time, I truly feel the insignificance of human life. It's not on the scale, but on the limit. Mountains, rocks, and moss still exist after I died; and I will be erased forever. My existence is just a small fluctuation in the space and time of the universe. What gives life meaning is ourselves, and this meaning is only meaningful from the perspective of the world. From the perspective of the universe, our lives have no meaning. The pursuit of meaning is the pursuit of transcending the "limits of individual life." If we are not finite beings, there will be no pursuit of meaning.

"The paradox of life is that

even though you try to 'be' something meaningful,

in the end, you just exist."

自然的交响曲No.2, 数码摄影, Nature Symphony No.2, 

Digital Photography, iPhone, 2019

In the early morning, the sun pierced through the dark clouds, touched the snow-covered mountain peaks, strolled the ravines valleys, and finally poured on the earth. I listened to the symphony played by nature, with light, mountain streams, trees, wind, and birdsong all in it. My sense of self disappeared, and the spirit entered the silence that was not existed by memory and thought. This is the interspace between the two types of memories. When this interspace can be maintained, a new state is created that is no longer a memory. I am like a rock, just a pure existence in the universe, this is real freedom.

想象的共同体, 综合媒介, 中国欧洲艺术中心展览现场, 厦门,

Imagined Communities, Multi-media, 

Chinese European Art Center,Xiamen, 2018

如何向瓶子解释它, 综合媒介, 解视物JSW艺术空间, 厦门, 

How to explain a bottle to the bottle itself, Multi-media, 

JSW Space, Xiamen, 2017

刘圆圆出生于1990年，现居中国厦门

视觉艺术家，品牌主理人

毕业于厦门大学, 获美学学士学位

Liu Yuanyuan was born in 1990 and 

now lives in Xiamen, China.

Visual artist, brand manager

Graduated from Xiamen University and obtained the Bachelor's Degree of Fine Arts

liuyuanyuan.cn.com

中国欧洲艺术中心于一九九九年与厦门大学艺术学院共同创建，由荷兰籍伊尼卡·顾蒙逊女士和厦大艺术学院秦俭教授联合发起，为非营利艺术机构。其核心的国际艺术家驻馆项目是中国大陆开始最早及运营时间最长的驻馆项目之一，接待来自世界各地各个创意领域的视觉艺术家、设计师、策展人、作曲家和作家等等。中心每年的活动日程不仅包括常态化的驻馆艺术家及特邀艺术家展览，还举办一系列相关的讲座、工作坊、户外影像放映会及音乐会等多种类的文化交流活动。 

The Chinese European Art Center (CEAC) was founded by Mrs. Ineke Gudmundsson from the Netherlands and Professor Qin Jian from Xiamen Univeristy Art College in 1999. A non-profit multi-disciplinary art center, CEAC hosts one of the first and longest running Artist-in-Residence programs in China open to visual artists, architects, designers, curators, composers and writers from around the world. CEAC’s events calendar features regular exhibitions showcasing invited and resident artists along with a supplementary program including lectures, workshops, concerts and outdoor film screenings.

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