您查看的活动已结束

Q

A

Aries Zaes是Annie Aries 和Marcel Zaes俩人的电子音乐组合，他们在伯尔尼艺术学院一起读书时相识，此后一直在合成器和技术驱动的项目上进行合作。

他们的首张专辑《Debris》于2020年由Prefermusic（瑞士）发行。

在《Debris》中，Aries Zaes探索了模拟合成器、数字结构和嘈杂的媒体制品作为声音材料的巧合。这张专辑采用了稀有且古老的合成器，例如Arp 2500，他们在2018/2019 年在布朗大学实习期间就使用了该合成器并建立了一个声音库。

2023年末，他们的第二张唱片《Dust》同样将在Prefermusic发行。《Dust》延续了《Debris》的声音结构，同时添加了新的和流行文化导向的色彩。

自2017年起，Aries Zaes开始了欧洲和美国的巡演。

▲Aries Zaes - Debris 视频

Aries Zaes (Annie Aries + Marcel Zaes) met while studying together at the Bern Academy of the Arts, and have collaborated ever since on synth and technology driven projects. 

Their debut album “Debris” was published by Prefermusic (Switzerland) in 2020. 

With “Debris,” Aries Zaes explore the coincidence of analog synthesizer instruments, digital structures, and noisy media artifacts as sound material. The album features rare and old synthesizers, such as the Arp 2500, to which they had access and built a sound library during their residency at Brown University back in 2018/2019. 

In late 2023, their second record – the EP “Dust” – will be released on Prefermusic. “Dust” continues the sonic fabric of “Debris,” while adding new and pop culture oriented colors.Since 2017, Aries Zaes have toured Europe and the USA.

https://marcelzaes.com/arieszaes

Marcel Zaes，他的研究领域包括实验节奏机器、数字声音档案、噪音文化、公共空间声音、批判性用户界面设计、流行音乐以及电子音乐表演中的“技术”文化。

他在布朗大学获得媒体艺术与音乐创作博士学位，在伯尔尼艺术大学和苏黎世艺术大学分别获得媒体艺术与音乐创作硕士学位。Marcel专注于人类与声音技术之间的多重关系，以及声音如何与庞大的社会文化体系产生联系。

他获得了多项拨款和艺术奖项，举办了多场国际音乐会以及参与国际团体展览，并多次成为驻地艺术家，作品在多场国际合奏演出中演奏。到目前为止，Marcel已出版了11张音乐唱片。

Marcel Zaes, Assistant Professor of the School of Design at Southern University of Science and Technology, is an artist and researcher in sound, digital media and music composition. 

He holds a PhD in Computer Music and Multimedia from Brown University, and MA degrees in media arts and in music composition from Bern University of the Arts and Zurich University of the Arts, respectively. In his work, Marcel focuses on the manifold ways in which humans craft their relationships with sounding technologies, and how sound is always embedded in a larger sociocultural context. 

His research includes work on experimental rhythm machines, digital sound archives, noise culture, sound in public space, critical user interface design, popular music, and “techno” culture in electronic music performance. Zaes has been awarded a number of grants and art prizes, has played numerous concerts and taken part in group exhibitions internationally, has repeatedly been an artist in residence, and has had his works performed by ensembles internationally. To date, he has published eleven musical records.

Annie Ruefenacht 又名 Annie Aries，伯尔尼艺术大学音乐与媒体艺术硕士，并在伯尔尼大学学习历史音乐学。2017年Annie住在柏林，在洪堡大学学习流行音乐历史与理论课程，专门研究流行和俱乐部文化中的实验实践。

自2019年以来，Annie一直担任伯尔尼艺术大学声音艺术系的教员。她曾在纽约布鲁克林的 Mis-En 音乐节、NYCEMF 纽约市电声音乐节、ZKM 艺术与媒体中心、IGNM 伯尔尼、旧金山灰色地区、伯尔尼 Sonic Mountains Dampfzentrale 等地展示过她的作品。

Annie用她的乐器（一种模块化的定制合成器）创作音乐，并专注于她的乐器如何促进生成音乐方法和即兴现场表演之间的相互作用。在她的作品中，她的目标是一个最小的、简化的、但结构复杂的声音世界。她将当代电子音乐与俱乐部和合成器的影响与当代和实验音乐的实验方法结合起来。

▲Annie声音装置作品Transition (2020)

Annie Ruefenacht aka Annie Aries is a Swiss-Philippine composer and musician based in Bern, Switzerland. She holds an M.A. in Music & Media Arts from Bern University of the Arts, and studied historical musicology at the University of Bern. In 2017, Annie lived in Berlin and studied in the program Popular Music History & Theory at Humboldt University, specializing in experimental practices within pop and club culture. 

Since 2019 Annie has been a faculty member in the Sound Arts department at Bern University of the Arts. She has shown her works at Mis-En Music Festival in Brooklyn NY, NYCEMF New York City Electroacoustic Music Festival, ZKM Center for Art and Media, IGNM Bern, Gray Area San Francisco, Sonic Mountains Dampfzentrale Bern, among others.

Annie produces music with her instrument, a modular, custom-made synthesizer and focuses on how her instrument fosters the interplay between generative musical approaches and improvised live performance. In her work she aims at a minimal, reduced, yet complex textural sound world. She combines contemporary electronica music with club and synthesizer influences with the experimental approach of contemporary and experimental music.

陆正，电子音乐家、声音艺术家；2007年初主持创立深圳独立音乐厂牌We Play! Records， 组织策划演出，与来自世界各地的艺术家演出和交流。陆正也为戏剧及电影创作音乐，他的数字声音和音乐倾向于绵密、细致和简约的风格。

曾参加香港SAND Festival(2006)、香港新视野艺术节(2006)、瑞典Clandestino Festival(2007)、波兰Moving Closer International New Media Festival(2007)以及Chinese Sound Art in Poland(2007)、大声展(2007) 、深圳-香港城市/建筑双城双年展(2005, 2007)、多伦多SoundReach(2009)、香港建筑师艺术节(2009)、华沙电子音乐节(2010)、ChoP on tour in Poland(2010)、上海世博会德国馆"都市未来之声"(2010)、第八届上海双年展(2010)、ChoP欧洲巡演(2011)、ChoP中国巡演(2011)、北京国际设计周(2012)、爵士即兴音乐节(2012, 2013)、ChoP音乐节(2012, 2013)、CO-SOUND 艺术节 (2013)、ChoP+Moss 欧洲联合巡演(2013)、声闻系列(2014)、re:source音乐节(2014)、Polyphonia音乐节(2014)、BOK戏剧艺术节(2015)、玄音欧洲巡演(2016)、ChoP十周年音乐节(2016)、第17届WRO媒体艺术双年展(2017)、Musicity in China（2018）、第18届WRO媒体艺术双年展(2019）、深圳当代艺术文献展(2020)、南头古城音乐生活节(2021)、深圳光影艺术季(2021)、ROOF Sound Project(2022)、流变-中国当代声音艺术展（2023）、噪声的追问-城市声音装置主题展（2023）、真实的拓扑：媒体艺术展（深圳2023）。

Zen Lu, experimental/electronic musician, sound artist, founder of We Play! Records and Neo Sound new art group and events curator. He’s one of the founders of ChoP, a musical project between China and Poland. Zen Lu is also a member of N2 New Media Art Lab, working and residing in Shenzhen, PRC.

Early 2007, Zen Lu founded Shenzhen independent label ‘We Play! Records’ and organizing events with artists from all over the world as well as. Apart from these,he composing music for dramas and movies.

Zen Lu’s minute, meticulous and minimalist digital music style as well as events organized by him and his label has played a major role in bringing a new wave of art activities to Shenzhen, for which the latter has been long considered a cultural desert.

Zen Lu has been participating in the following events:

New Vision Arts Festival(Hong Kong, China, 2006), SAND Festival(Hong Kong, China, 2006), Asia Europe Music Camp and Clandestino Festival(Gothenburg, Sweden, 2007), Moving Closer International New Media Festival(Warsaw, Poland, 2007),Chinese Sound Art in Poland project(5 cities in Poland, 2007), Get It Louder Exhibition(Guangzhou, China, 2007) , Shenzhen & Hong Kong Bi-city Biennale of Urbanism \ Architecture(Shenzhen, China, 2005 and 2007), SoundReach(Toronto, Canada, 2009), Architecture Is Art Festival(Hong Kong, China, 2009), Warsaw Electronic Festival(Warsaw, Poland, 2010), ChoP on tour in Poland(4 cities in Poland 2010), Expo Shanghai(Germany Pavilion, 2010), 8th Shanghai Biennale(Shanghai, China, 2010), ChoP Tour in Europe(Poland, Czech Republic, Germany, 2011), ChoP Tour in China(2011), Beijing Design Week(2012), Jazz Improvise Meeting Festival(2012, 2013), ChoP Festival(2012, 2013), ChoP +MOSS project Europe tour(2013), re:source festival(2014), Polyphonia Festival(2014) , BOK Festival(2015), ChoP Festival(2016) , the 17th WRO Media Art Biennale(2017), Miscity in China(2019) , the 18th WRO Media Art Biennale(2019), Shenzhen Contemporary Art Archive Exhibition(2020), Nantou City Music Festival(2021)、Glow Shenzhen 2021, ROOF Sound Project(2022)，Sound Variation - Contemporary Chinese Sound Art Exhibition(2023) , The Inquiry of Noise - Urban Sound Installation Exhibition(2023) , Topologies of the Real: TECHNE(Shenzhen 2023) and more.

赞助