镜中见“他”——女性摄影师眼中的阳刚之气预约报名-eLL开展聊聊活动-活动行

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Seeing Him

SEEING HIM

Masculinity Through the Eyes of Female Photographer

镜中见 “他”

女性摄影师眼中的阳刚之气

ARTISTS 参展艺术家

Jo Rankine （澳）

Alex Sarmiento （法）

Andrea Martinez （西）

Yolanda vom Hagen （德）

Yilin Tang （中）

Ioana Farcas （罗）

Nora Lai （意）

Katya V. Kars （乌）

CURATOR 策展人

Yolanda vom Hagen （德）

OPENING TIME 开展时间

2021/8/21-9/12

周二-周五 Tues.-Fri. 13:00-21:00

周六-周日 Sat.-Sun. 11:00-19:00

周一闭馆 Closed On Monday

OPENING 开幕

2021/8/21（Sat.)

周五 Fri. 18:00-21:00

ADDRESS展览地址

移动的头脑博物馆

上海市黄浦区半淞园路388号

越界·世博园B4-1

The Museum of Creative Minds

NO. 388 Bansongyuan Road, Huangpu, SH

Seeing ‘Him’ is a mixed media exhibition in which eight female artists set out on a journey to deconstruct, redefine and challenge socially created traits associated with the word ‘masculinity’. Rather than accepting it as an innate, passive condition, the contributing artists explore manhood beyond the binary, contemplating its role and manifestation in the contemporary society, unveiling and welcoming its fragility and vulnerability. As a result, the audience is invited to think outside the box and reflect on whether masculinity lives in the body or the mind, and to further conceptualize the topic in their own everyday lives.

镜中见”他“是一个多媒体摄影展览。八位女性摄影师对“阳刚之气”以及与它紧密相连的社会特征进行挑战，解构，与重新定义。参展艺术家们探寻超越“男子气概”的非此即彼，固有和被动的现状，思考“男子气概”在现代社会中的作用和表现，揭示并接受它脆弱和易碎的特质。作为观众，你将跳出常规的思考框架，反思“阳刚之气”在身体或脑海中不同形式的存在，并在日常生活中对这个概念产生更新的理解。

作品预览 PREVIEW

Jo Rankine

澳大利亚

Jo Rankine is an Australian freelance photographer based in Shanghai that has spent the past 26 years working with film and digital imaging. She studied film and alternative photography processes in high school and university and holds a diploma of digital imaging. Jo worked as a photography educator for eleven years at the technical college in Australia and in recent years she has begun to explore the quiet corners of life, spaces often overlooked. She now combines photography with projection, painting and alternative printing techniques.

Jo Rankine是一名澳大利亚自由摄影师，在上海工作了26年，从事电影和数字成像。她在高中和大学学习电影和另类摄影过程，并持有数字成像文凭。Jo在澳大利亚的技术学院做了11年的摄影教育家，近年来她开始探索生活中那些常常被忽视的安静角落。她现在将摄影与投影、绘画和交互印刷技术相结合。

上图：

Bound by beliefs 信念可被打破

Fragile Hunter 脆弱猎人

I work with cyanotype, a traditional photography printing method that uses the sun to expose an image. I’m using this technique to explore aggression, fragility and beliefs. Each cyanotype is unique, even when the same negative is used, much like people. There is always a variation. Sometimes the variation is obvious. Sometimes not so much.

我使用的是蓝印法，一种传统的摄影印刷方法，利用太阳曝光图像。我用这个技巧来探索攻击性，脆弱性和信仰。像人一样，每一个蓝字都是独一无二的，即使使用相同的底片。变化无处不在。有时这种变化很明显，有时却不。

Yolanda vom Hagen

德国

Yolanda vom Hagen studied photo design in Germany and at the Beijing Film Academy. Since 2010 she has been working as commercial photographer in Shanghai. Her art work aligns closely to her own life journey. From documenting the environment of people it shifted in 2015 to reflect on them, creating spaces of connection to reveal insights into her own and her subjects’ lives, challenges and emotional landscapes. In 2016 Yolanda started using photography as a tool to detach herself from traditional convictions: Her series “Life in Memory” and her first videographic works “OffLine” (2018) and “Essence of You” (2019) depict the topic of loss and death. She has participated in numerous international exhibitions. Her work is displayed at the Collection of the Department of Contemporary Art at the Ruhr Museum Essen, Germany. Yolanda was in 2019 the first foreign nominee of the Hou Dengke Documentary Photographic Award.

Yolanda vom Hagen曾在德国和北京电影学院学习摄影设计。自2010年以来，她一直在上海担任商业摄影师。她的艺术作品与她自己的人生历程密切相关。从记录人们的生活环境到2015年，她开始反思他们，创造了一个交流的空间，揭示了她对自己和她所处主题的生活、挑战和情感景观的见解。2016年，尤兰达开始将摄影作为一种工具，将自己从传统信念中分离出来：她的系列作品《记忆中的生活》和她的第一部视频作品《离线》（2018年）和《你的热情》（2019年）描绘了失去和死亡的主题。她参加过许多国际展览。她的作品在德国埃森鲁尔博物馆当代艺术部的收藏品中展出。Yolanda是2019年侯登科纪录片摄影奖的第一位外国提名者。

上图：循环视频截图

Growing up with a single, divorced father evoked empathy for the struggles of the working class man in me. My father lives in constant torment between his own needs and the responsibilities that he and his environment puts on him as a man. He raised me to be equally fiercely independent, practical, and capable as a man. While growing up, I often found myself confronted with women that deny their role in gender dynamics, victimize themselves, or simply hand over all responsibility to others.

In my video work, I explore the beliefs in men and women about the struggles of being a man and the capacities and experiences of vulnerability of men. My objective is to support more understanding and connection for the dynamics between women and men.

和一个单身、多次离婚的父亲一起长大，唤起了我对工人阶级斗争的同情。我父亲生活在自己的需求和他或环境赋予他作为一个男人的责任之间不断的折磨之中。他把我培养成一个非常独立、务实、和男人一样能干的人。在我成长的过程中，我经常会遇到一些女性，她们否认自己在性别动态中的角色，自欺欺人，或者干脆把所有责任都交出。

在我的视频作品中，我通过访谈探讨了男人和女人对男人奋斗的信念，男人脆弱的能力和经历，来支持对女人和男人之间动态的更多理解和联系。

装置 Installation："A Real Man" “一个真实的男人...”

In my research, I asked men and women from all over the world to share objects that represent a real man/manhood to them. I collected these objects, creating this interactive photobooth.

Participants are invited to select three objects they consider to be most representive of manhood. They further pick cards, that show the qualities they connect to their chosen objects. Participants can pose with their chosen objects. The pictures will become art pieces. The goal of this interactive photo booth “A REAL MAN” is to engage and evoke awareness about what contemporary society thinks of manhood by letting visitors reflect, choose, and share.

在我的研究中，我让世界各地的男人和女人告诉我一些在他们看来能代表真正的男人的东西。我收集这些物品来创造一个互动摄影棚，让来访者拿着3件他们认为代表真正男人的物品拍照。来访者可以从一面墙上选择物品，并写下这些物品对于他们来说代表了什么。

在这项人类学研究中，我旨在包括和收集参与者的：年龄、出身、三个“真正的男人...”的特性。 “一个真正的男人...”是展台和后来图片序列的标题。我的目标是通过让参观者反思、选择和分享，在整个展览中参与并唤起人们的意识。这些照片将在一个公共平台上分享，参与者可以下载并再次分享。大量的参与者将更清楚地了解当代社会对男子气概的看法。

装置 Installation：Believe System Reset 信念重置

This installation is dedicated to participants that want to let go of limiting beliefs, experiences, negative energies and stories. You are invited to write down your beliefs, emotions and experiences that are holding you back from fully expressing who you are and where you should BE in this world.

After having written down your throughts, fold the letter and throw it into the muted bonfire. Say goodbye to what no longer serves you. With a little shovel of sand you will bury it symbolically. At the end of this exhibition, we will perform a ceremony that cuts and transitions these energies and free us from limiting human concepts, emotions and experiences. Create new space for love.

在这个装置中，参与者可以写一封信或一张纸条，来记录以前的信仰、经历、负能量或他们现在想要忘记的故事。曾经阻碍他们充分表达自我和未来的信念。被忽视、忍受、或痛苦的经历。参与者可以把它们写下来，然后把它们扔进黯淡的篝火圈。一铲沙子会象征性地埋葬它。

在展览的闭幕式上，我们将举行一个仪式，来埋葬和转变所有这些不再属于我们的经历和信仰。这将切断和转换这些能量，使我们从有限的人类概念和认知中解脱出来。

Yilin Tang

中国

Visual Creative. Experienced in both UK and Chinese film and television industries, she has had in-depth collaboration with BBC, ITV and the RSC. In China, she has directed a quantity of drama series, documentaries, as well as food, music and creative work under commercial themes. Her personal work reflects inner struggles and beliefs, exploration of identity, ambiguity of categories and borders, perspectives on nature and human activities such as hermitage. Her first short film on the theme of Post-War Trauma was winner of Roma Cinema DOC awards in 2017.

唐伊琳的背景是影视研究，目前专职影像创作。她曾与英国广播公司，英国独立电视台，英国皇家莎士比亚剧团有过深入的合作。在中国执导过大量电视剧、纪录片、美食、音乐等商业影片。她的个人作品关注信念与内在挣扎，身份的探究，界限的模糊性，例如隐居等有关自然与人类活动的一种视角。她的首部个人短片关注战后精神创伤，赢得2017年罗马国际影展最佳短片。

上图：Dao Ma Dan 刀马旦

With help of model Li Zhuan, the intimate portrait of this androgynous female and the painting of Peking Operatic warrior characters Daomadan creates their clash and integration. Daomadan - female armed with sword and horse -are female characters who are believed as powerful as generals in war, but sing and dance much more than fighting on stage, compared to their male equivalent. Female in a traditionally more masculine profession or who simply look more masculine may face much more subtle conditions in reality.

这件作品通过一个外表中性的女性肖像与京剧人物“刀马旦”的融合与冲突，在模特李转的帮助下，为肖像绘上角色的头戴与妆容，给女性角色的塑造创造思考的空间。刀马旦的角色往往属于战场上的杰出女性，而她们在表演中唱与跳的比例比男性同等角色要多得多，武打场面却更少。在传统上男性居多的行业中的女性，甚至外表更男性化的女性所面临的现实，则更引人思考。

视频：Role 角色

The video piece deconstruct the creation of Daomadan. What does being female mean, what does masculinity feel like, and where should a masculine female fit in social-cultural discourses? How much are all women/men recognizing the roles assigned by their gender?

视频解构《刀马旦》的创作过程。生为女性意味着什么，阳刚之气应该是什么样子，外在上更显男性化的女性在社会文化处于什么位置，女性/男性对由性别分配的角色又有多大的认同？

Andrea Martínez

西班牙

Andrea Martínez Figueiredo, Spanish photographer, born in Montevideo (Uruguay) Art lover (specially around paintings and photography. She holds a Master’s degree in Artistic Photography (Node Center), and she has followed several technical classes (light management and personal project) in “Escuela La Maquina”(Madrid). She has been working on portraits lifestyle photography and on her own artistic projects.

Andrea Martínez Figueiredo是一位出生在乌拉圭蒙得维的亚的西班牙摄影师。由于她喜欢冒险，8岁时，她得到了第一台模拟相机，用来探索周围的世界。经过几年的蒙得维的亚人类学研究，她决定扩展自己的视野，在24岁的时候移居国外。她在西班牙和法国做了15多年的商业开发人员，直到2014年随家人来到上海，她开始更加认真地探索数码摄影，并最终报名参加了诺德中心的在线硕士课程，并于2020年毕业，获得艺术摄影硕士学位，她的硕士期末项目名为《幸福路》，集中讲述了她对家庭对中国文化的理解和适应。

上图：(Fe)Male （女）男性

I explore how contemporary society changes the way masculinity is seen among people. I show women who adopt different masculine behavior in order to show stronger character, being less submissive and more in control of their lives. And in contrast, I also show men who are not afraid to show emotions, willing to risk the possibility of ruining the image of the “strong man” prevailing mostly among older generation.

我探索当代社会如何改变人们看待阳刚气概的方式。我展示了那些采取不同男性行为的女性，她们表现出更强的性格，更少顺从，更能掌控自己的生活。而与此相反，我也展示了那些不怕表露情感、愿意冒着可能毁掉老一辈中盛行的“强人”形象的男人。

Alex Sarmiento

法国

Alexandra Babonneau is a French photographer with an eclectic body of work. Besides her own artistic projects, she has more that 20 years of professional experience in beauty and fashion photography. This prolific photographer, who began her career working with analog photography, found in 2008, her artistic path by experimenting with overprinting, a photo technique that allowed her to create the transition from film to digital photography. Her artistic career began in Madagascar with a humanitarian project in 2011 called "the food chain" which witnessed the country's precarity of a basic need of child nutrition. With her personal projects, Alexandra tries to denounce and/or express essential human topics such as malnutrition, women's equality or respect of nature. She exhibited for the first time in 2013 in Casablanca, Morocco, then several exhibitions followed in Paris including a permanent exhibition at the City of Luc Besson Cinema.

亚历山德拉·巴伯诺（Alexandra Babonneau）是一位法国摄影师，其作品风格兼容并蓄。除了她自己的艺术项目之外，她在美容和时尚摄影领域也有超过20年的经验。这位高产的摄影师刚出道时从胶片摄影开始，后在2008年尝试接触多重曝光，从此找到了属于自己的艺术道路。这种摄影技术让她实现了从胶片摄影到数码摄影的过渡。她的艺术摄影生涯始于2011年，当时她参与了马达加斯加的一个名为“食物链”（food chain）的人道主义项目，该项目反映了该国在满足儿童基本营养需求方面的不足。通过她个人的项目，亚历山德拉试图谴责并且/或者表达某些基本的人类主题，比如营养不良问题、女性平等问题或对自然的尊重。2013年，她的作品在摩洛哥卡萨布兰卡首次展出，随后在巴黎举办了数场展览，其中包括在吕克贝松电影城（City of Luc Besson Cinema）举办的常设展览。

上图：Troubled Fragility 恼人的脆弱

When I was young, I had only a negative image of men. I was afraid. This fear accompanied me for many years until I began to reconcile with my father, and met an incredibly kind man who is now my husband. Even though equality of the sexes has not been reached, and women are still underrepresented in government and decision making roles, and oppression is very real for many women across the globe, I want to show men who are capable of being vulnerable despite their apparent manly strength.

In most societies men must be portrayed strong and without weakness, for that reason, with this project, I want to express their fragility that for the most part is suppressed. Flowers will be my inspiration to depict masculine fragility, with them, I want to show the complimentary to the strength and virility of men. I will use overprint technic in order to disturb and challenge the viewer’s reading(s).

当我年轻的时候，我对男人只有负面的印象。我很害怕。这种恐惧伴随了我很多年，直到我开始与我的父亲和解，并遇到了一个非常善良的人，他现在是我的丈夫。尽管两性平等尚未实现，妇女仍然缺乏在政府和决策角色中的代表性，而且对世界各地的许多妇女来说，压迫是非常真实的，但我想向大家展示的是，尽管男子气概明显，但他们仍有能力成为弱势群体。

在大多数社会中，男人必须被塑造成坚强而不软弱的形象，因此，在这个项目中，我想表达他们的脆弱性，这种脆弱性在很大程度上受到压制。鲜花将是我描绘男性脆弱性的灵感来源，我想用它们来表达对男性力量和阳刚之气的赞美。我将使用套印技术，以干扰和挑战观众的阅读。

Nora Lai

意大利

Nora Lai uses different media - pencil and camera, Photoshop and meditation, to better understand herself and her relationship with the outside world. She studied Design and Visual Communication in her home country Italy. Her work experience has developed through a path made of design, fashion and art. She has been working for several years as jewelry designer and design educator, along with carrying out different kind of artistic projects. Photography teaches her that people can not change reality but can always chose how to see it, what to take from it and what to focus on.

Nora Lai使用不同的媒体——铅笔和照相机、Photoshop和冥想，以更好地了解自己和她与外界的关系。她在祖国意大利学习设计和视觉传达。她的工作经历是在设计、时尚和艺术的道路上发展起来的。她作为珠宝设计师和设计教育家工作了几年，同时还从事各种艺术项目。摄影告诉她，人们不能改变现实，但总是可以选择如何看待现实，从中吸取什么，关注什么。

上图：Fai l’uomo! 做个男人吧！

Fai l’uomo! - In her project she explores the roles that the idea of masculinity creates. Men are always asked to wear roles that someone else or even themselves create in order to match the expectation that society has set for them. Being strong, successful, earning money, supporting a family, these are only a few of the most common stereotypes that came to her mind when starting to reflect on the idea of masculinity. With her project, Nora Lai, wants to demonstrate that this idea of being a man actually doesn’t exist. It’s a construction. What society expects to see in men and what a man has to create for himself.

"Fai l’uomo!"是一个意大利语表达，可以翻译为“做个男人！”从母亲到儿子都可以用这个词，但有时妻子也会这样称呼丈夫。在这两种情况下，人们觉得男性没有实现社会对他成为一个男人的期望。他缺少阳刚之气。当然，这个表达所指的行为谱被定型为：坚强、勇敢、自信、不动感情、能够做出决定。

意大利语中的“fare”实际上是一个人无用的宣言，有趣的是这个句子中的动词“fare”实际上并不是“to be”，而是“to do”或“to make”。因此，作为一个男人实际上意味着创造一些东西，而不是成为一些东西。作为一个男人意味着能够创造出适合他所处社会不同方面的角色。我的作品由四幅“穿着他们的角色”的男人肖像组成，我采用明暗对比技术，这种风格来自文艺复兴时期流行的绘画艺术。面具在视觉上代表了男性在公共场合、工作场合、家庭关系和情感关系中需要扮演的角色，以适应社会。

Ioana Farcas

罗马尼亚

Ioana is a photographer and producer born in Romania. Specialising mostly in portraiture and commercial photography, the approach to the visual work she creates is very much contemporary but also analog inspired. She loves the creative process and bringing out different sides in the people she photographs.

Ioana Farcas是一位在上海的肖像编辑摄影师和制片人。出生于罗马尼亚的她在曼切斯特大学完成学业后成了摄影师。她主要从事肖像画、商业摄影和制作。她创作的作品摄影手法非常现代，但也受到了模拟的启发。她喜欢这个创作过程，也喜欢把拍摄的人的不同侧面展现出来。自从她自己创业以来，她很喜欢与品牌、企业和客户合作，因为他们带来了一些不同的东西。

上图：新男

新男 is an ongoing portrait series exploring new facets of Asian masculinity. Intrigued by how society interacts through what people wear, how they communicate, the music they listen to, Ioana began documenting local subcultures, creating a window into the liminal space existing between fashion, youth and identity, that future generations can look back on. The revealing portraits, captured on medium format film, feature young men mostly photographed in a public setting. The series aims to put forward an honest reflection on race, culture and identity and how they have shaped the aesthetic manifestation of the contemporary Asian male.

《新男》是一个正在进行的探索亚洲男性新方面的肖像系列。对社会如何通过人们的穿着、交流方式、听的音乐进行互动感到好奇，伊奥娜开始记录当地的亚文化，为时尚、年轻和身份之间存在的界限空间创造了一扇窗户，让后代可以回顾。这些曝光的肖像是用中等格式的胶片拍摄的，主要是在公共场合拍摄的年轻人。该系列旨在提出一个诚实的反思种族，文化和身份，以及他们如何塑造当代亚洲男性的审美表现。

Katya V. Kars

乌克兰

Katya V. Kars is a creative producer with a love for arts and a BA in Theatre and Cinema Arts from The Kyiv National Theatre, Cinema and Television University. During her decade-long stay in China she has produced various video projects as well as the award winning animated short film “The Fly”. Her work has always aspired to deliver a strong message through almost childlike execution.

Katya V. Kars是一个富有创造力的制作人，热爱艺术，在基辅国家剧院、电影和电视大学拥有戏剧和电影艺术学士学位。在长达十年的中国之行中，她制作了各种视频项目以及获奖的动画短片《苍蝇》。她的作品一直渴望通过近乎孩子气的执行来传递强烈的信息。

上图：Uilenspiegel 你的镜子

With help of Shanghai based photographer Mandy Cai in this project I want to explore masculinity as something that could be played with as the very definition of the word is something rather vague and extremely subjective. Having a strong background in performing arts I couldn’t have thought of a better way of expressing it, but with the contemporary scene of a drag community in Shanghai on a lenticular print, a fun execution that reminds us of our inner children.

Displaying how drag performers morph with their stage identities, visually enhance or tone down masculine aspect of their characters I aim to inspire people to push the boundaries of their own self-perception by toying with the gender-based polarization.

在上海摄影师Mandy Cai的帮助下，我想把阳刚之气作为一种可以玩弄的东西来探索，因为这个词的定义是相当模糊和非常主观的。我的表演艺术背景，使我想不出更好的表达方式。但是在通过光栅印刷描绘的一个当代上海的变装社区场景，唤醒了存在于我们内心深处的童心。

通过展示变装表演者如何与他们的舞台身份相互转换，在视觉上增强或淡化他们角色的男性化方面，我旨在通过玩弄基于性别的两极分化来激励人们突破自我认知的界限。

移动的头脑博物馆

The Museum Of Creative Mind

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MUSE&m由独立建筑师/策展人Lulu成立于2016年初，立志于用设计和艺术为空间赋能，与近千名设计师、艺术家进行过合作。旗下移动的头脑博物馆不是一个人的空间理想，而是一群人的“联合创作空间”实验。我们与越界·世博园合作，作为独立的艺术发声，为我们社群的艺术家、设计师、策展人、文艺爱好者提供交流和展示的平台。

近5年来作为主办方/策展方发起过数十场艺术、建筑、设计领域专业展览，尤以国际文化艺术交流展为专长，有从展览策划、落地、运营、媒体传播的全套实践经验。展览包括日本设计大师隈研吾工作室在海外最大规模个展——《隈研吾的材料研究室》；海外最大规模平面设计展——第一届和第二届日本平面设计展；中爱建交40周年当代艺术家与创意文化展——《中国X爱尔兰》；英国建筑大师理查德·罗杰斯合作展——《技·艺：从城市到住宅》；罗马尼亚ARTZ Gallery开幕群展；Hiii Illustration国际插画艺术家联展……累计观展人次达到50000+，线上传播度100万+。

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